Our next concert will be held on Sunday 22nd May 2022 in All Saints’ Church, Sutton Courtenay starting at 7:30 pm. The final programme includes:
Vivaldi: Gloria in D (RV589)
Vivaldi: Nulla in Mundo Pax Sincera (RV630) – Soprano solo
Mozart: Missa Brevis in C major (KV220) Sparrow Mass
Mozart: Ave Verum Corpus (K618)
Haydn: Te Deum in C major
Tickets are £15 which includes a programme. They can be purchased by contacting or 07870 506774. They are also on sale at Hari & Esha’s in Sutton Courtenay and at the Bookstore in Bury Street, Abingdon.
Or from 2nd April you can apply on-line at https://www.trybooking.com/uk/BODN.
This promises to be a joyous and inspiring concert; we are looking forward to it and hope to see you there.
This next term we are planning to meet up again in the Matrix to sing – without visors. Covid precautions will be taken very seriously; we will be spaced out and the room will be well-ventilated. Furthermore, all participants will need a negative lateral flow test prior to the meeting. And this time we will be working towards a concert – provisionally booked for 22nd May 2022 in All Saints’ Church – our first for more than two years.
The pieces we will be singing are:
- Vivaldi’s Gloria
- Mozart’s Sparrowmass
- Haydn’s Te Deum in C – in Latin
It is with regret that we are unable to perform during the Covid pandemic because of the potential risk of cross infection, but we will be planning new concerts as soon as we are able.
We will be performing on Sunday March 31st.
Rehearsals started on Friday January 4th. The program will be:
- Vivaldi – Credo RV 591
- Fasch – Concerto for trumpet, 2 oboes, strings & continuo in D major, FaWV L:D1
- Mozart – Ave Verum Corpus K 618
- Max Reger – Nachtlied Op.138
- Bruckner – Locus Iste WAB 23
- Haydn – Mass in B flat major ‘Theresienmesse’ Hob XXII:12
- Handel – Chandos anthem No 2: In the Lord put I my trust – HWV 247
- Handel – Chandos anthem No 9: O praise the Lord – HWV 254
- Purcell – Rejoice in the Lord alway ‘The bell anthem’, Z 49
- Handel – Concerto Grosso in C major ‘Alexander’s Feast’ – HWV 318
The first rehearsal was at 19:30 on Friday 14th September.
Camille Saint-Saëns Christmas Oratorio: Op 12
Jean-Philippe Rameau Hymne à la nuit
William Byrd Ave Verum Corpus.
Benjamin Britten Cermony of Carols: Op 28
Camille Saint-Saëns Fantaisie for violin and harp: Op 124
We received the following appreciation from one audience member:
I have been to a number of concerts given by your excellent group and I find that once again my worst fears were confounded. Every time I’m impressed with the difference of your programme selection. For example, the Bonocini ‘Stabat Mater’ and the wildly different Zelenka ‘Miserere’ were two concerts I enjoyed enormously. As someone who regularly attends choral concerts I have a sense of relief when I don’t have to listen to yet another mass or requiem by Bach, Mozart, Faure or Handel (great composers as they are and mainstays of the choral repertoire.)
To come to a programme of Saint-Saëns and Benjamin Britten therefore is both enjoyable and unusual. The inclusion of the harp and violin ‘Fantasie’ balanced the evening beautifully and created a welcome opportunity to reflect on the sheer diversity of Saint-Saëns’ music. What a find this young and talented violinist Elizabeth Nurse is!
The opening two unaccompanied pieces were well rehearsed and whilst ‘Ave Verum’ is sung frequently the adjoining selection of Rameau’s hymn of lament was an unusual and inspired choice. The choir gave both of these pieces a sense of timing and delivery which started the evening well.
The ‘Christmas Oratorio’ was delightful, the soloists here were well balanced and sung beautifully, with the choir once again well-rehearsed and singing with a sensitivity, especially in the ‘Gloria Patri’, that I found quite moving. The work was new to me, and many in the audience also, and one I should like to hear again.
Britten’s ‘Ceremony of Carols’ I have heard many times before and usually with just treble voices, so it was a great pleasure and surprise to hear the lower registers join in with this arrangement. No doubt there has been much discussion on how to pronounce middle English but my view is that if one sings loudly and enthusiastically enough then nothing is lost in the interpretation, and I did indeed feel “Wolcum.” The icy coldness of the interlude had the audience spellbound and surprisingly breathless with concentration (well done Anneke Hodnett whose playing throughout the evening was to a very high standard) and the whole work was delivered by choir and two soloists to my complete enjoyment.
Thank you, All Saints’ Singers for the concert, the mulled wine and the minced pie. I shall come again!
And Patrick Salisbury wrote:
This was certainly a most successful concert. It was ingenious to devise such a varied programme with accompaniment by an orchestra comprising only strings and continuo but with the addition of a superb harpist. In the event, many of us were introduced to a peaceful Rameau Hymn and a fine Christmas Oratorio by Saint-Saens. In the latter, the chorus really came into their own with outstanding contributions by the five excellent soloists
To begin the second half of the programme, it was a bonus to have our new orchestral leader Elizabeth Nurse joining the harpist Anneke Hodnett in a wonderful performance of Saint-Saen’s beautiful “Fantaisie”. Inevitably, Britten’s “Ceremony of Carols” provided the climax to the concert; here the choir sang with accuracy and understanding, employing subtly contrasted dynamics. Again, the presence of a dedicated harpist must have given them that extra incentive to excel. Although one might say that, in this concert, the choir did not have as major a role as might normally be the case, their contribution was always well prepared and carefully presented.
Altogether a most enjoyable occasion, a view obviously shared by the larger than ever audience. I do hope Sebastian Thomson will stay with us!
With very best wishes – Patrick
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